Who Sir Toby Is Based On In Law & Order SVU (& What Happened To His Trial?)

Law & Order: Special Victims Unit (SVU) has been a cornerstone of television, particularly in the realm of crime and legal drama, thanks to its relevant story arcs, and that's no more true than with Sir Toby in SVU season 21. Since its inception in the Dick Wolf universe in 1999, SVU has dealt with numerous challenging and sensitive topics, drawing inspiration from real-life events and figures. The show's longevity and success are due in part to its ability to evolve with the times, reflecting societal changes and the ever-shifting landscape of criminal justice and societal issues.

SVU's approach to storytelling is particularly notable for its focus on characters who are both complex and nuanced. The series doesn't shy away from the moral ambiguities and the often harsh realities of the legal system. This focus has allowed the show to explore a range of themes, from the personal traumas of SVU detective Olivia Benson to the broader societal implications of the crimes they investigate. Season 21 of SVU is no exception, introducing a character who has sparked significant interest and discussion: Sir Tobias "Toby" Moore.

Sir Tobias "Toby" Moore Is Loosely Based On Harvey Weinstein

 

Sir Toby (Ian McShane) being detained in Law & Order SVU

Sir Toby (Ian McShane) speaking with Olivia in Law & Order SVU

Sir Toby (Ian McShane) being detained in Law & Order SVU

Sir Toby (Ian McShane) smiling in Law & Order SVU

Tamin defends her decision to meet Tobias Moore as an undercover cop in Law & Order SVU

Sir Toby (Ian McShane) being detained in Law & Order SVU

Sir Toby (Ian McShane) speaking with Olivia in Law & Order SVU

Sir Toby (Ian McShane) being detained in Law & Order SVU

Sir Toby (Ian McShane) smiling in Law & Order SVU

Tamin defends her decision to meet Tobias Moore as an undercover cop in Law & Order SVU

Sir Tobias "Toby" Moore, a character introduced in Law & Order: SVU season 21, episode 21, "I'm Going to Make You a Star," is a pivotal figure in the show's narrative. His storyline has been a subject of much attention, primarily due to its loose inspiration from real-life former film producer Harvey Weinstein. Weinstein's case and the subsequent #MeToo movement have had a profound impact on public discourse about sexual harassment and assault, making Sir Toby's character especially relevant and controversial. Warren Leight, the episode writer, discussed the creation of this Weinstein-inspired character with People:

I left [SVU] three years ago, and I was occasionally frustrated not to be here as the whole #MeToo movement broke. One by one these guys in the entertainment industry were outed, and some of them I’d heard stories about and known. I knew the world that this takes place in pretty well. We’re at an interesting point where the stories have broken, the guys have lost their jobs, but legally, there’s still something of a gray area for these guys. Their ability to avoid prosecution and their ability to not be held accountable is pretty interesting to me. It’s been hard to bring them to justice, I guess with the exception of Cosby.

Leight, who returned to SVU after a hiatus, expressed his interest in exploring the legal gray areas that powerful figures like Weinstein occupied. His aim was to delve into the complexities of bringing such individuals to justice, particularly in light of the #MeToo movement. Leight's approach to Sir Toby's character was not to replicate Weinstein but to present a figure that encapsulated the broader issues raised by cases like Weinstein's. Leight added:

Unfortunately, there’s a dozen of these guys and they’ve been allowed to stay in these positions even though their corporations knew what was going on. I still want to get to, how do the lawyers who work for these guys sleep at night? I find that disturbing. I know everyone’s entitled to a defense, but if your defense is to destroy the credibility of fifteen different victims — that’s pretty sleazy work.

The decision to mention Weinstein early in the season 21 premiere was a deliberate one. Leight wanted to make it clear that while Sir Toby was not Harvey Weinstein, his story was set within a similar context. This narrative choice highlighted the prevalence of powerful individuals who have evaded accountability for their actions, despite widespread knowledge of their misconduct. Moreover, Leight aimed to question the moral responsibilities of those who defend such individuals, challenging viewers to consider the ethical implications of the legal defenses employed in these cases.

Sir Toby's SVU Trial Storyline Was Affected By The COVID-19 Pandemic

Benson and Stabler look serious in Law & Order SVU

The trial of Sir Toby Moore in SVU was significantly impacted by the COVID-19 pandemic, which disrupted the show's production and narrative plans. As with many TV shows during the 2019-2020 season, SVU had to conclude its 21st season earlier than planned due to the pandemic. The Season 21 finale left audiences with a cliffhanger regarding Sir Toby's trial. The proceedings were halted when Toby seemingly suffered a cardiac event, leaving viewers questioning whether this was a genuine medical emergency or a strategic ploy.

This abrupt ending left several storylines, including Sir Toby's trial, unresolved. Leight revealed that the trial of Sir Toby would not resume immediately in Season 22. Instead (via Twitter), the initial episodes would focus on the squad grappling with various losses and challenges brought about by the pandemic. This narrative shift was in line with Leight's previous statements about the show's intention to address real-world problems.

In place of Sir Toby's trial, SVU season 22 explored other storylines that resonated with the contemporary challenges faced by the characters and, by extension, their audience. These included the personal and professional impacts of the pandemic on the squad members, as well as broader societal issues that emerged during this period. The decision to delay resolving Sir Toby's storyline exemplified Law & Order: Special Victims Unit's commitment to staying relevant and responsive to the real world, even if it meant leaving some narrative threads temporarily unresolved.

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